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jozef marian chelmonski
Jozef Marian Chełmoski (November 7, 1849 -- April 6, 1914) was a Polish painter.
Chełmoski was born in the village of Boczki near Łowicz in central Congress Poland, Russian Empire. His first drawing teacher was his father (a small leaseholder and administrator of Boczki village). After finishing high school in Warsaw, he studied in Warsaw Drawing Class (1867C1871) and took private lessons from Wojciech Gerson. From 1871 to 1874 Chełmoski lived in Munich. He worked with Polish painters assembled around Jozef Brandt and Maksymilian Gierymski. He also had studied for a few months at the academy of H. Anschutz and A. Strahuber. In 1872 and 1874 Chełmoski visited the Polish territories (Poland as a country did not exist then), Tatra Mountains and Ukraine.
His first paintings were done under the influence of Gerson. The works that followed were landscapes and villages. In 1875 Chełmoski went to Paris, where he had many important exhibitions and became known to the art scene. With many orders, the artistic level of his paintings decreased.
From 1878 to 1887 Chełmoski visited Poland, Vienna and Venice. In 1887 he returned to Poland and in 1889 settled in Kuklewka Zarzeczna village. Contact with his homeland and nature revealed quality in his artworks. From that time are the best liked Chełmoski's paintings such as Partridge on the Snow, The Storks or Before Thunderstorm.
Chełmoski represented the trend in art called "Polish Patriotic Painting".
He died in Kuklewka near Grodzisk Mazowiecki in 1914.
Related Paintings of jozef marian chelmonski :. | The Release of St Peter | Rest on the Flight into Egypt dgfh | Madame de Pompadour | Judith | The School of Athens, Stanza della Segnatura | Related Artists: Casper NetscherDutch Baroque Era Painter, ca.1635-1684 Albert van der EeckhoutDutch, born circa 1610-1666 Samuel Palmer1805-1881
British
Samuel Palmer Galleries
English painter, draughtsman and etcher. Palmer was a key figure of English Romantic painting who represented, at least in his early work, its pastoral, intuitive and nostalgic aspects at their most intense. He is widely described as a visionary and linked with his friend and mentor William Blake, though he stood at an almost opposite extreme in his commitment to landscape and his innocent approach to its imagery. He had none of Blake irony or complexity and was inspired by a passionate love of nature that found its philosophical dimension in unquestioning Neo-Platonism.
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